His wife is pregnant and it’s a much better game plan to have a kid when you’re not putting your life on the line every day than when you are. For those who haven’t had time to read Cop Cam, here’s a quick breakdown of the plot.Ĥ0-something Sgt. But we’ll get back to that opening in a minute. If you’re not entertaining me, I have other options.Īnd the thing is, once Cop Cam gets to the twist, it’s unstoppable. And I think this is the way a lot of people source their entertainment. Just last night, I was watching an episode of HBO’s, “Succession,” which at one point I paused because I had to answer an e-mail, which, after the e-mail, I remembered I still had to finish an episode of Million Dollar Listing on Itunes, which, after making dinner, I decided to pause so I could watch the first episode of the NFL’s, “Hard Knocks” on Youtube. I’m just worried because we live in a world that’s dominated by distraction. When you weigh the pros and cons of long first acts, one of the pros is we get to know the characters better before they go off on their journey. The longer we’re with this guy, the more we’re going to like him, which means the twist is going to hit us harder. Now if I were Jason’s Storytelling Lawyer, I would argue that the longer First Act brings us closer to Angel. And then, once that conversation was over, we’d switch over to another conversation that was similar to that one. Conversations were taken to their logical conclusion and then they’d start talking about something else. But there were some scenes where I felt like we were dragging on. Jason did a nice job keeping the writing sparse so that the eyes moved down the page. I bring that up because there were definitely moments early in Cop Cam where I was wavering. It’s only before the twist that you might lose them. Because once they get to that twist, you’ve got’em. And, more importantly, the key to pulling it off, which is to keep the First Act short. It’s funny that just Wednesday, I reviewed a script, “ Don’t Worry, Darling,” where the ‘What I Learned’ section touted the power of the “Beginning of the Second Act” twist. A cops and robbers caper that unfolds like a beautiful car wreck with a continually worsening state of affairs that’s likely to appeal to mass audiences. The amount of story, twists, and turns in this tight script is a strong showing of narrative economy. The script just received positive coverage from WeScreenplay: “This high-octane, action-packed thrill ride is a rip-roaring page-turner told with unflinching authenticity.
While most found footage films deal in supernatural horror, I aimed to bend the genre here into purely thriller territory, although a lot of feedback has mentioned it certainly flirts with horror. For “Cop Cam”, I wanted to infuse elements from some of the most disturbing videos I’ve encountered into a grounded, found-footage crime-thriller told from the first-person perspective of one cop’s final day on duty.
Flatout 4 stone skipping help movie#
On the contrary, they typically inspire movie ideas for my scripts.
As a police lieutenant, I watch countless hours of body cam footage from the officers under my watch and am rarely ever bored. Think about it, when’s the last time you didn’t click on a “contains graphic content” police video that was shared to social media? The footage always tells a story, but rarely captures the facts in their entirety. Police-worn body camera footage persists as some of the most controversial, yet fascinating forms of real-time-media in existence today. Why You Should Read: I’ve always thought a found-footage film involving a cop’s body camera would be an interesting concept to explore.
Premise: Told through the lens of a police-worn body camera, a retiring cop with a baby on the way faces the most harrowing shift of his career after a traffic stop devolves into a violent mess affecting both sides of the law.
0 kommentar(er)
